Archive | March, 2014

Zumba – En Mexico

20 Mar


This guy makes fun of the Zumba ladies

What NPR says about Beyoncé

20 Mar

Feminists Everywhere React To Beyonce’s Latest


December 19, 2013 4:00 PM

Larry Busacca/PW/WireImage for Parkwood Entertainment

617,000. That’s how many copies of her self-titled album Beyonce sold in three days last week, after she dropped it without warning. As fans and critics have dug in, debates about the messages and images within it are roiling. Is Beyonce, the sexy pop goddess who has performed at two inaugurations, also this generation’s highest-profile feminist? I spoke to six people who identify as feminists — all of whom feel differently about Beyonce — to find out how a pop album no one was ready for is capping off a year of think pieces and Twitter skirmishes.

The night Beyonce unleashed her new songs and videos, filmmaker Tanya Steele watched her Twitter account explode. “When I saw black feminists on Twitter just going crazy, I thought, ‘Wow, she must really have done something!’ ”

So Steele downloaded what her colleagues were calling Beyonce’s Feminist Manifesto. “I saw her in pornographic poses,” she says. “I couldn’t understand what black feminists were looking at.” She says for her it was just another tired example of a woman performing for men.

“We don’t often see women in bodysuits writhing around on cars except when — I don’t know, it’s Maxim magazine, so it does feel like a performance for the benefit of men,” says Anna Holmes, who founded the women’s website Jezebel.

But for professor Brittney Cooper, who studies black feminism, Beyonce’s videos aren’t degrading. Instead, the singer is empowering women of color. “I think it’s risque,” Cooper says, “but I think she’s asking us to think about what it means for black women to be sexual on our own terms.”

Writer Samhita Mukhopadhyay agrees. “The album made us feel really sexy, and that’s powerful. That means something,” she says. “Whereas the rest of popular culture may not have that impact on us as young women of color.”

And the reactions to Beyonce are revealing a generational divide between feminists. “For women who are in their 20s and early 30s,” says Holmes, “her performance of her sexuality does not feel as kind of icky as it might to someone who’s a little bit older and, dare I say, a little bit more conservative, like me.”

Over her 15-year career, Beyonce has meshed conventionally sexy imagery with anthems of female empowerment. On a song called “Flawless,” from her new album, she makes her thinking about feminism more explicit by sampling a TED Talk given by Nigerian author Chimamanda Ngozi Adichie.

“I am so excited that millions and millions of people around the world are gonna hear a TED Talk that is entitled ‘We Should All Be Feminists,’ ” says Kim Gandy, who has been involved in feminist politics since the ’70s and was the president of NOW from 2001-2009. “And they’re gonna hear that coming from someone they love and trust: Beyonce.”

For Mukhopadhyay, that’s why activists like her were excited by this moment. “The majority of women that need feminism listen to Beyonce,” she says. “They don’t take women’s studies classes.”

In the age of social media, Beyonce’s conception of feminism reverberated past graduate seminars and through Twitter, Facebook, Tumblr, group texts and G-chats. The arguments have been quick, cutting and personal.

Tanya Steele wrote an essay for IndieWire, and she found herself in the thick of it. “Now there are these women coming into the conversation who have never read anything about feminism! And they will argue you down,” she says. “So I have to take a deep breath and walk them through to, perhaps, a different way of thinking about the images. Cause they’re like, ‘Beyonce — she’s a grown woman. She has a husband. She can do what she wants with her body.’ And so it’s walking them back from that. And it requires work. It requires a lot of work.”

And then, by Wednesday, the Internet had had enough. #beyoncethinkpieces began trending — a running satire of how much one could conceivably read into an album that’s less than a week old.

But critic Alyssa Rosenberg says the conversation around Beyonce matters. “It makes me feel like feminist culture is a rich place right now, even if it’s a contentious one.”

At the end of a year in which Facebook COO Sheryl Sandberg released Lean In, her rallying cry for women’s progress at work; Miley Cyrus and Diane Martel provoked everybody; another hashtag, #solidarityisforwhitewomenwas born; and British singer Lily Allen put her foot in it, Beyonce’s album has reignited conversations about the boundaries of feminism today.

Lean In and Beyonce are exciting, not because they push feminism into popular culture but because they push feminism and feminists themselves,” says Rosenberg.

And as Beyonce says, she’s a grown woman. She can do whatever she wants.


20 Mar


No other name in popular culture stirs more emotions in me than Beyoncé. Like Madonna and Shakira, she goes by one name and EVERYBODY knows exactly who she is. Beyonce started out as a 17 year old teenager with the group Destiny’s Child. I know their hit song “Bills, Bills, Bills” off the top of my head. I’m not sure what it was about the song that attracted me, but I sure liked this incredibly pop/RB song with an attitude. The ladies in the song are turning on the lazy guy and saying that they deserve better. Edgy without being too edgy. It was similar to TLC’s “No Scrubs” . Maybe it was the changing tempos, quick raps, harmonizing voices, and catchy beats that drew me. Once my cousin, Mari, let me listen to the CD from top to bottom and I fell in love with Destiny’s Child especially with their harmonizing melodic voices. For years, Destiny’s Child was the “it” girl band in an era of fake boy bands and incredibly bubble gum disposable pop.They had songs like “Independent Woman,” “Survivor” and such. I knew Beyonce hit it big when she came out in Austin Power’s “Goldmember.” Then rumors surfaced on Mike Meyer’s awe of Beyonce’s beauty during the filming of the movie. Her acting wasn’t too bad and her smile kept her role alive.

Destiny’s Child- Bills, Bills Bill and Say My Name  and


Gosh I regret not seeing Destiny’s Child live in concert.



When Beyonce finally solo’ed and released “Crazy in Love” everyone knew she had gone from big to HUGE. “Dreamgirls”, “Cadillac Records”, put Beyonce’s name in the film industry and of course the classic “Single Ladies” catapulted her to fame. Beyonce officially targeted the little ones with her song “Move Your Body” campaigned by Michelle Obama to encourage kids to exercise more. Once you got the little ones, you’re set for epic stardom.


Beyonce Move Your Body


I actually learned this routine for the teacher portion of the school talent show.



What always drew everyone else to Beyonce was her pop feminist side. She is beautiful, an amazing singer, amazing dancer, proud of her booty, and voices her feminist point of views in her music and actions. Up until around 2011 or so, Beyonce was every woman’s role model.  Songs like “Single Ladies”, “If I Were a Boy”  “Run the World (Girls)” gave everyone a reason to look up, admire and sing Beyonce’s tunes in a proud way.  OH and don’t forget she was one of Obama’s biggest and most vocal supporters. AND AND AND!!!! she has an all female band for all her tours and live performance. Flippin’ awesome!


Single Ladies live with the all female band



However, I realized around the Super Bowl 2013 performance that there was a growing crowd of dissent towards Beyonce. Why did so many people dislike her? Jealousy? Her booty? Her fame that may have something to do with her ultra popular husband Jay-Z? Then I realized people disliked her because she tries to be femenist at the expense of her fame. She isn’t really a feminist, but just pretends to be one to sell CDs. Shes not really friendly and nice, but pretends to do so to please her fans. She (like Shakira and others) is provocative to sell. Hmmm interesting, but I still didn’t believe it.



In 2014, I had a student who became obssessed with Beyonce. She claimed to know every single song in Beyonce’s history, seen every video and know every lyric. Plus she knows several little known facts that only true Beyonce fans would know. OK…. She begged me to listen to Beyonce’s new self titled CD so that we can talk about it. Sure, why not? Especially since I wanted to buy it anyway. I figured, this 7th grader is a fanatic of an artist that has a positive message and can be a positive role model. Why not?


Then I saw the AMA’s. OMG. Beyonce was the opening act and she was wearing a bathing suit with a thong-ish cut making highly provocative gestures. Why would Beyonce put on a performance like that knowing that a lot of kids and people look up to her especially as the opening act? When you market at children and a young audience, it comes with a responsibility especially since her role model image was recent. This almost reminded me of Rihanna and her almost always sexualized image.


Beyonce’s AMA performance


Then I bought the CD. Ayyyy! Face slap. What happened? Musically speaking this CD is phenomenal. I was hooked immediately on her musical approach. I think she has a great production team that has come up with a different R&B CD. Its catchy, Beyonce’s vocals are flawless and its done with a minimalist approach. Lyrically speaking… well that is the big issue here. Her lyrics are very sexually provocative and some songs are definitely attempts to generate ratings. In the song, “XO” she uses the audio of the Challenger disaster crew right before the space shuttle crashed. Why would she seriously do that? I’m not digging her “it was a tribute to the astronauts” BS. Then “Drunk in Love,” “Partitiion” and “Jealous” are about drinking and being overly committed to the “man” in her relationship.  “Partition” is about a blow job and “I just want to be the girl you like” by giving blow jobs. Far from the feminist side of Beyonce. Jay-Z’s rap in “Drunk in Love” also mentions Ike and Tina Turner- a reference and cheap shot at  their abusive relationship.


Beyonce’s Partition


“Rocket” is just so out there that its hilarious. The first line is “Let me sit this ass on you” follows by Zapp and Roger-ish slow baby making music. You can guess what the Rocket refers to. Then “Blow” refers to “keep me moaning till the morning” “Hit the skittles its the sweetest in the morning” plus “turn the cherry out” ???


The song I have the most issues with is “Flawless” because it uses audio from Chimanda Ngozi’s TED video on youtube. Beyonce is trying to make a song about female empowerment, but comes off way more conflicting.  “Bowdown bitches” is a reoccuring lyric as well. Ewww. Really Beyonce? You call yourself a feminist, but use the word “bitches” to refer to other women?



It can be argued that Beyonce is simply doing what male rappers/RB artists have done for years- express their sexual power and wishes, use explicit language, and talk about feminine/masculine power. Is she being a feminist with this approach? However, “Pretty Hurts” also takes her directly feminist approach by empowering women with their body. But what made me even more confused are the videos in the album. ALL SEXUAL!! Some even go in BDSM and exploiting Beyonce’s body. Again, is this her feminist side coming out? Or is she trying to sell music by exposing herself??



Then take a look at the order of the songs on the CD. If “Pretty Hurts” is the first song and the rest of the songs are sexual anthems, a confused approach to female empowerment (“Flawless”  and “Superpower”) and the second to last song is “Heaven” (about someone dying – maybe her miscarriage in 2011?) and “Blue” is about her baby Blue Ivy – is Beyonce simply telling her points of view and her own life in an album?  Quite genius if you ask me.

Shakira has never been marketed to children or claimed a female empowerment image or portrayal. After her hair went blonde, Shakira took of her clothes, shook her hips and sexualized all her music and moves. She was never really kid friendly. However, Beyonce is different and therefore owes her fan base that consists of all ages some respect- at least in the mainstream.  Take a look at this Wendy William’s clip:


Fast forward to 8:05


While its true that Beyonce did not sign up to be a role model, her team has marketed her as a role model. Nobody really goes out there and says “I want to be a role model for kids.” Your actions and marketing strategies speak for themselves. I do agree with Wendy about having Beyonce be better than other pop stars and that she is talking about sex with her HUSBAND. But lets be realistic: even I had my “role model” while I was growing up and I was thankful that those role models were Saint Selena and early Shakira. However, not every body falls for positive role models. Sigh! Add more to my Beyonce’ confusion….


I have to give props to Beyonce and her team to where its due. They have caused controversy, attracted a more adult audience, sexualized yet femenized Beyonce’s image and have intrigued people to listen to the CD. Her musical side of the CD is excellent and this is clearly a well thought out musical CD. So how do I feel about Beyonce??? I still… love… to dislike… or like?… her…Do I? One thing is for sure: see you at the Grammy’s next year, Beyonce. See you there with your flawless face, fantastic booty that you throw all over my computer screen, your beautiful voice and even better music.